Let Evening Come

Let the light of late afternoon
shine though the chinks in the barn, moving
up the bales as the sun moves down.

Let the cricket take up chafing
as a woman takes up her needles
and her yarn. Let evening come.

Let dew collect on the hoe abandoned
in long grass. Let the stars appear
and the moon disclose her silver horn.

Let the fox go back to its sandy den.
Let the wind die down. Let the shed
go black inside. Let evening come.

To the bottle in the ditch, to the scoop
in the oats, to air in the lung
let evening come.

Let it come, as it will, and don’t
be afraid. God does not leave us
comfortless, so let evening come.

Jane Kenyon


Bridge End, October

As some attract lightning, and others midges,

I draw behind me a delicate rain –

hooves drumming lightly the steep, dry lane –

a confabulation of wall-eyed gimmers.

Thought of my thought, herd of my heart,

we jink in a flock, in a shoal, we turn.

The school bus – eventual, awful – passes

The obstacle of a rolling tin can halts us.


Jen Hadfield

Lady of Miracles

Since you walked out on me
I’m getting lovelier by the hour.
I glow like a corpse in the dark.
No one sees how round and sharp
My eyes have grown
How my carcass looks like a glass urn,
How I hold up things in the rags of my hands,
The way I can stand though crippled by lust.
No, there’s just your cruelty circling
My head like a bright rotting halo.

Nina Cassian
(Trans. Laura Schiff)

The Reason

It’s because you never left
These endless fields

Where an oak tree sails the horizon
Like a lost galleon

Where rabbits crouch in mad-dog heat
Under a sky full of eyes

Where a gunshot scatters acres of birds
Leaving wires like empty staves

Where a road runs straight for hours
Towards a shimmering spire

Where a man can live all his life
Beyond calling distance.

Esther Morgan

June 30, 1974

for Jane and Joe Hazan

Let me tell you
that this weekend Sunday
morning in the country
fills my soul
with tranquil joy:
the dunes beyond
the pond beyond
the humps of bayberry –
my favorite shrub (today,
at least) – are
silent as a mountain
range: such a
subtle profile
against a sky that
goes from dawn
to blue. The roses
stir, the grapevine
at one end of the deck
shakes and turns
its youngest leaves
so they show pale
and flower-like.
A redwing blackbird
pecks at the grass;
another perches on a bush.
Another way, a millionaire’s
white chateau turns
its flank to catch
the risen sun. No
other houses, except
this charming one,
alive with paintings,
plants and quiet.
I haven’t said
a word. I like
to be alone
with friends. To get up
to this morning view
and eat poached eggs
and extra toast with
Tiptree Goosberry Preserve
(green) -and coffee,
milk, no sugar. Jane
said she heard
the freeze-dried kind
is healthier when
we went shopping
yesterday and she
and John bought
crude blue Persian plates.
How can coffee be
healthful? I mused
as sunny wind
streamed in the car
window driving home.
Home! How lucky to
have one, how arduous
to make this scene
of beauty for
your family and
friends. Friends!
How we must have
sounded, gossiping at
the dinner table
last night. Why, that
dinner table is
this breakfast table:
“The boy in trousers
is not the same boy
in no trousers,” who
said? Discontinuity
in all we see and are:
the same, yet change,
change, change. “Inez,
it’s good to see you.”
Here comes the cat, sedate,
that killed and brought
a goldfinch yesterday.
I’d like to go out
for a swim but
it’s a little cool
for that. Enough to
sit here drinking coffee,
writing, watching the clear
day ripen (such
a rainy June we had)
while Jane and Joe
sleep in their room
and John in his. I
think I’ll make more toast

James Schuyler


(Some rockpools for R.)



Medusae – babes

in the wood, with milky domes

and faint fontanelles;


constellations that

someone shook into the sea,

orphan circlet of


fangs, spasming, a

mussed map of heavens, thimbles

on the tide, all thumbs.



Across the rockpool’s frilled theatre,

a limpet budges

a devastating millimetre


Nature Study

Salted tapwater – she knits it

with puzzled antennae;

and from her shell


unpacks a banana bunch of claws,

her googly haversack of roe,

and last – fascination and woe –


a trailing corkscrew quiff of tail,

a soft nought –

her kernel.


Jen Hadfield


Critical Mass

That night, facing the sky, both of us still salty
From the body that crashed softly in next to us,
We were reading God’s Braille.
Grasping for dippers, handles on meaning
And you consoled me –
That we were really just connecting dots to make nothing:
So many seem to be burning but have really died years ago.
We were watching the ghostly remains of butterflies
Flutter their wings at the fiery eye of the lamppost,
And I said, Like so many others I know… they’re just straining towards
The thing that could kill them.

Because, I believe, when speaking of lures such as love
All understanding, like turn-of-the-century water,
Must be tossed out the window –
There’s just no place for it in the house
Of the soul.

And then, you confessed you were no less
Than another astute believer in the domino effect,
That celestial bodies have no weight unless coupled with proper timing –
As if our minds were strict metronomes we could set
To discipline the weak inner-strings of our hearts…

My heart – that I find as incalculable and as graceless
As the fall of a meteorite,
Razing the rosebush in the garden, leveling the apples on the tree –
Smoldering, I have nothing left to give you.

For each of our words, when offered to the other, leaves us empty and cold
As the water poured on the crippled soldier
In the desert. One day, too long after,
He unpeels the slits of his sandbaked eyes, enough to reveal:
The wet, longawaited body of another mirage.

And stops straining, for a moment, to lie on his back – like we’re doing now,
And continue dreaming.

Marlo Bester-Sproul

Hum (noun)

Twilight; gloaming;
To walk blind
Against the wind;

To be abject; lick snot
And rain from the top lip
Like a sick calf.

To be blinded by rain
From the north.
To be blinded
By westerly rain.

To walk uphill
In a tarry peat cut
And bluster a deal
With the trowes.

To cross the bull’s field
In the dark.

To pass in the dark
A gate of hollow bars
Inside which the wind is broaling.

To pass in the dark
A byre like a rotten walnut.
To not know the gate
Until you run up against it.

Jen Hadfield

Two alternative Westminster Bridge Sonnets



Earth hasn’t anything to show more fair,

so pay attention.   Flick back the curtains.

slip back the duvet, contemplate my nakedness,

my open mouth, the precincts of my temple.

Still time to study my exquisite indifference,

my eyeballs twitching beneath the lids

in rapid variations indecipherable

as an ascending diver’s spume of bubbles.

This is the beauty spot, the gentle sniper’s nest,

the view from the bridge between sleeping and waking,

and this is the moment to play the immortal.

An hour from now I’ll be occupied.  Occupied?

Hell, roads will be jammed across the capital.

Ringtones, Drivetime, A-Zs.  Wakey Wakey.


Michael Donaghy

(note how each thought-phrase bleeds and alters the next, so personal busy-ness becomes a city militarily occupied, then re-transformed into quotidian noise. The poem is located deep in zen territory)


With regard to these acts: removal of clothing,

nudity in front of females or before prayer,

the belly a heap of wheat set about with lilies,


a brood of men with bushy locks, black as raven,

the shaving of beards O daughters of Jerusalem,

exposure to extreme temperatures, hot or cold, short


shackling to an eye-bolt in the floor,

spikenard and saffron, calamus and cinnamon,

three hundred and fifty incidents of self-harm,


a garden inclosed, a spring shut up, a fountain sealed,

hoods, goggles, lap dances during interrogation,

fear of dogs, the use of dogs; the acts in question


were overseen by known government officials,

their teeth a flock of sheep, evenly shorn.


A.B. Jackson

(from the Wilderness Party)


  • an astonishing found poem from the brilliant and mind of A. B. Jackson; it containing extracts from the Song of Solomon and a UN report called Situation of detainees at Guantanamo Bay 2006